Abbreviations
|
IX |
Acknowledgements
|
X |
Introduction: Paul Bowles Now and Then
ANABELA DUARTE
|
XI |
I THE FASCINATION OF PAUL BOWLES – FACE TO FACE SECRECIES
|
Paul Bowles as I Knew Him
CHRISTOPHER SAWYER-LAUÇANNO
|
31 |
“I Would Invite You to Supper but I Have Only One Egg:” Teaching with Paul Bowles
REGINA WEINREICH
|
45 |
The Fascination of Paul Bowles
ALLEN HIBBARD
|
53 |
II ECOLOGIES OF FEAR AND VIOLENCE: RESISTANCE OR DESISTANCE?
|
The Perceptual is Political: Modes of Consciousness in The Spider’s House
GREG BEVAN
|
71 |
Laughing with Thieves: Images of Paul Bowles in Tahar Ben Jelloun and Mohamed Choukri
CLARE BRANDABUR
|
85 |
The Spider’s House: Paul Bowles and the Question of Moroccan Independence
YOUNES RIYANI EL ASSAAD
|
101 |
Tangier, Capital of Treason
ANDREW HUSSEY
|
117 |
False Concepts: The Absence of Security and Intimacy in the Work of Paul Bowles
ANDREW MARTINO
|
135 |
III MUSIC, NOISE AND POLITICS
|
The Music and Politics of Pastorela (1941)
JENNIFER L. CAMPBELL
|
151 |
Paul Bowles and Latin American Music
LUIS HÉRNANDEZ MERGAL
|
169 |
“The Question of Music and Prose, It’s a Tricky One to Answer,” Paul Bowles: Composer – Writer
VERENA MOGL
|
181 |
The Musical Styles of Early Songs of Paul Bowles
CAROLE BLANKENSHIP
|
203 |
On Degenerescence and Realms of Suppression: Paul Bowles vis-à-vis Einojuhani Rautavaa
ZBIGNIEW BIALAS
|
225 |
Noise and Violence in Up Above the World – Music as Torture in Modern Fiction
ANABELA DUARTE
|
235 |
IV NO MAPS FOR THESE TERRITORIES: BOWLES, BURROUGHS AND BEYOND
|
Aesthetic Tourists: The Sheltering Sky’s Critique of Modernism
CHRISTOPHER LESLIE
|
253 |
American Existentialism and Surrealism in Paul Bowles’s “The Scorpion” and “By the Water,” Jack Kerouac and William Burroughs’s And The Hippos Were Boiled in Their Tanks
BENJAMIN J. HEAL
|
265 |
“What You Do Is Nearer to What You Are than What You Think Is”: The Importance of Place and Space in Paul Bowles’s Short Fiction
ISABEL OLIVEIRA MARTINS
|
275 |
Experiences of Death and Dissolution in Paul Bowles’s The Sheltering Sky and Jack Kerouac’s Desolation Angels and The Dharma Bums
NUNO MARQUES
|
285 |
V YOU ARE NOT I – FILM AND TEXT
|
Good Film Hunting: Sara Driver, Paul Bowles, and Tangier
FRANCIS POOLE
|
287 |
A Resistent Text: “You Are Not I”
YOSHIAKI KOSHIKAWA
|
301 |
VI ON INTERCULTURAL MEDIATIONS
|
Towards an Absent Origin: The Edge of Anger in Paul Bowles’s “A Distant Episode”
BOUCHRA BENLEMLIH
|
315 |
The Impossible Relationship with the “Other” in “The Time of Friendship”
FERNANDO GOMES
|
325 |
VII MOMENTUM OF SPEED: FILM, BOHEMIA AND THE UNCANNY
|
The Film Narrator Paul Bowles
KOSTOULA KALOUDI
|
339 |
Gothic Short Circuits in Paul Bowles’s Fiction
MARIA ANTÓNIA LIMA
|
347 |
Literary Friendship: The Bowleses and Tennessee Williams
KRISZTINA DANKÓ
|
357 |
Contributors
|
369 |
Index
|
377 |